雲門舞集2010秋季演出 《流浪者之歌》
CLOUD GATE 【Songs of the Wanderers】 | |
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今秋雲門將推出林懷民老師於國際最受矚目
已八年未在台灣演出的《流浪者之歌》 （僅於台北、嘉義演出）
讓支持雲門的您，優先獲知各項優惠、套票及演後加映訊息。
特別提醒您：7月底前享有預購8折的優惠
（只要填妥所附訂票單，以傳真回傳或來電訂購皆可） | | |
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2010/12/17
(五)19:30 |
嘉義縣表演藝術中心演藝廳(民雄鄉建國路2段265號)
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300,600,900,1200,1500
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2010/12/18
(六)19:30 |
嘉義縣表演藝術中心演藝廳(民雄鄉建國路2段265號)
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300,600,900,1200,1500
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請先登入 |
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2010/12/19
(日)14:30 |
嘉義縣表演藝術中心演藝廳(民雄鄉建國路2段265號)
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300,600,900,1200,1500
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請先登入 |
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> 千萬不要錯過這齣雲門演出場次最多，國內外好評如湧，一票難求的黃金之舞
「看了一輩子舞，沒看過這種場面：演出結束了，觀眾仍然戀戀不捨，不肯離去」...巴黎費加洛報
「一次偉大的劇場經驗，觀眾的心充實得幾乎迸裂，不禁流下喜悅的眼淚。」...挪威奧斯陸午報
舞台一角，光頭的僧人直直挺立，黃金稻榖由空中不斷落下，在他頭頂，身上，迸射出金色的光芒。三噸半的黃金稻榖鋪天蓋地，在舞台上累積成山，蜿蜒成河。
執杖苦行的朝聖者，步步艱辛地跋涉在這天地之間。喬治亞民謠溫暖綿長如河，他們的艱苦與滄桑彷彿在歌聲裡獲得了紓解和洗滌。
一名舞者手持米耙，彎著身體，沉靜地把滿台稻穀犁成一道又一道，無始無終的同心圓。
印度的故事，台灣的稻米，中亞的音樂，《流浪者之歌》註定了流浪天涯的命運。
16年來，《流浪者之歌》行腳遍及全球，而旅程仍未終結：歐盟音樂中心邀請雲門與喬治亞Rustavi合唱團，明年六月，到德國德勒斯登同台演出。
菩提伽耶的陽光
林懷民
1994年，我帶著赫曼‧赫塞根據佛傳故事改寫的小說《流浪者之歌》，流浪到印度菩提伽耶。
季節風的盛夏，大地冒煙，萬籟俱寂，唯有大覺寺內，佛陀得道的菩提樹終日清涼，百鳥喧歌。
毛躁的我，坐到樹下，很快就安靜下來。許久許久以後，恍然感覺到眉心的溫熱，打開眼睛，才發現是由樹隙斜斜射照到臉上的陽光。
一份從未有過的，安靜的喜悅籠罩了我的身心…
印度歸來，我不假思索，流水般地編出《流浪者之歌》。靜定，沉穩，完全不像我急躁的性情。
我覺得這是佛祖的禮物。
有時候我會想，我往生後，如果只能留下一個作品，我希望就是《流浪者之歌》，希望它在喧囂的時代裡，繼續帶給觀眾安慰與寧靜，像那穿過菩提葉隙，斜斜照射的陽光。
Songs of the Wanderers
November 10-14, 2010
The National Theater, Taipei
December 17-19, 2010
Chiayi Performing Arts Center, Chiayi
Acclaimed by the London Times as “Asia’s leading contemporary dance theatre,” Cloud Gate Dance Theatre of Taiwan, founded in 1973, draws its inspirations from Asian aesthetics and creates works with contemporary relevance that has received enthusiastic receptions from audience around world. With the virtuoso Cloud Gate dancers trained in traditional Chinese disciplines that include meditation, internal martial arts, chi kung, and calligraphy, the artistic director Lin Hwai-min has created a unique dance language that prompts Dance Europe to acclaim “No company in the world dances like Cloud Gate. It presents a distinct and mature Chinese choreographic language. The importance of this evolution in Asian dance is no less profound than the impact of Forsythe’s Ballett Frankfurt on European classical ballet.”
This year, after its triumphant world-wide tours to Vancouver Cultural Olympiad; Kennedy Center, Washington DC; Singapore Arts Festival; Chekhov International Theatre Festival, Moscow; International Festival of Villa Adriana, Rome; Grec Festival, Barcelona; and Festival Internacional Cervantino, Mexico; Cloud Gate will return to its homeland with its most staged and internationally acclaimed work, Songs of the Wanderers.
Taking off from Hermann Hesse’s Siddhartha to embark a spiritual journey, Songs of the Wonderers features 3,500 kg of golden rice grains as the only set for this 90-minute production. When the curtain opens, a stream of rice grains drizzles onto the head of a standing monk in meditation and accumulates into a mould around his feet. The rice grains are carried onto the stage forming river and hills, and rain like a summer storm. Against this golden landscape, dancers enact a series of rites to the soulful Georgian folk songs and take audience along on their journey. Throughout the whole show, the monk stands still as rice grains keep falling onto his head like sand falling off from an hourglass.
Poetic and poignant, Songs of the Wanderers is a study of time, a feast for the eyes and heart. It has moved tens of thousands of audience in New York, Paris, Berlin, London, Athens, Rome, Copenhagen, Melbourne, São Paulo, and Moscow to rave reviews from leading critics.
Poetic and poignant, Songs of the Wanderers is a study of time, a feast for the eyes and heart. It has moved tens of thousands of audience in New York, Paris, Berlin, London, Athens, Rome, Copenhagen, Melbourne, São Paulo, and Moscow to rave reviews from leading critics.Aftenpoften, Oslo
“The choreographer sends not only his dancers but also his audience into a grand purification ritual not unlike to the trial by fire and water of the young people in Mozart’s Magic Flute.”Ballet International, Berlin
“I had never seen such a fascinated audience in my whole life, an audience enthralled by the beauty and the spirituality of a show, so as to be standing 25 minutes long in the most reverent silence after the curtain had closed and the light had switched on again.”Le Figaro, Paris | | |
